Silver halide film - album design

Created in collaboration with Tilly Vickers Willis, this vinyl artwork merges analogue photography with experimental printmaking techniques to create a design that feels both intimate and atmospheric. Using original film photography by Steph Reid, the images were developed through the Cyanotype process — a historic photographic technique known for its rich Prussian-blue tones and textured, organic finish.

The final design embraces the imperfections and softness of the process, allowing grain, shadow and light to become part of the visual language. The composition balances minimalism with texture, creating a sleeve that feels tactile, understated and emotionally resonant — reflecting the handmade nature of both the imagery and the music it accompanies.

design schematics & Blueprints

Alongside the visual artwork, the project involved the development of detailed production schematics to prepare the record for physical manufacture. Every element — from sleeve layouts and spine widths to centre labels, bleed areas and print margins — was carefully mapped to precise industry specifications to ensure the final vinyl could be produced without compromising the integrity of the design.

Working across multiple print assets required meticulous attention to detail, balancing the technical constraints of vinyl manufacturing with the tactile, analogue qualities of the artwork itself. The schematics became an extension of the creative process: preserving the Cyanotype textures, tonal depth and photographic composition while ensuring every component translated accurately from screen to print.

The result is a fully realised physical release where artwork, packaging and music exist cohesively — a considered object designed to honour both the visual process and the atmosphere of the record it accompanies.

Produced/Mixed: @dean_tuza
Mastered: @adamayan_master
Photography: @stephrxid
Album cover graphic design: @icarus.projects

Album Credits

Murmuration Bass by James Gilligan
 Drums by Miles Thomas, Adam Stirling
 Piano by Joel Smithard
 Cello, violin by Rob John, Leah Hooper
Do You Know
 Bass by James Gilligan
 Drums by Miles Thomas
 Trumpet by Anthony “Tok” Norris
Silver Halide Film
 Bass by James Gilligan
 Drums by Miles Thomas, Adam Stirling
 Guitar by Evan Sillence
 Cello, violin by Rob John, Leah Hooper
Aching Never Leaves
 Bass by James Gilligan
 Drums by Miles Thomas, Adam Stirling
 Cello, violin by Rob John, Leah Hooper
In My Body
 Bass by James Gilligan
 Drums by Miles Thomas, Adam Stirling
 Cello, violin by Rob John, Leah Hooper
Unfolding
 Bass by James Gilligan
 Guitar by Max Stringer
 Cello, violin by Rob John, Leah Hooper
Circuit
 Bass by James Gilligan
 Piano by Joel Smithard
 Trumpet by Anthony “Tok” Norris
 Cello, violin by Rob John, Leah Hooper
All other instruments by Tilly Vickers-Willis, Dean Tuza
All songs written by Tilly Vickers Willis, arranged and produced with
Dean Tuza. Aching Never Leaves was co-written with Morgan Wright.
Staring at the Sun (by TV on the Radio) is a cover, arranged by
Tilly Vickers Willis & Dean Tuza
Produced by Dean Tuza
Mixed by Dean Tuza
Mastered by Adam Ayan
Vocal Engineering by Lisa Smullen
Additional studio engineering by Josh Walton